El Espacio Medarde, ubicado en el Mercado de Abastos de Guadalajara, inaugura este martes 24 de junio la exposición ‘Alma silenciada’, una propuesta de la artista local Alba López Santos. La muestra aborda la experiencia de los trastornos de conducta alimentaria desde la perspectiva de la oxidación física y emocional del cuerpo. Los vecinos podrán visitar esta instalación de forma gratuita hasta el próximo 31 de julio.
La concejalía de Cultura del Ayuntamiento respalda esta iniciativa, que se aleja de la simple exposición estética para buscar la reacción directa del público. Javier Toquero, primer teniente de alcalde y responsable del área, subrayó durante la presentación que Guadalajara necesita espacios «donde la verdad tenga sitio», destacando la madurez del proyecto. La propia creadora reconoció emocionada que la obra es fruto de un largo proceso vital para transformar la vulnerabilidad en conocimiento. «No es fácil convertir en arte aquello que te ha roto, pero tampoco hay nada más necesario», explicó ante los medios.
La exposición mantiene sus puertas abiertas de martes a viernes de 12:00 a 14:00 y de 18:00 a 20:00 horas, y los sábados de 11:00 a 14:00 horas. Para quienes busquen profundizar en el mensaje de la obra, se han programado visitas guiadas junto a la autora los sábados 11 y 25 de julio a las 12:00 horas. Este proyecto funciona además como el primer capítulo de un relato que culminará próximamente en la Sala Antonio Pérez de la Diputación Provincial con la segunda parte, titulada ‘Materia que resiste’.
La llegada de esta obra al Espacio Medarde conecta directamente con la evolución de las políticas culturales que Liberal de Castilla ha documentado durante el último año en la capital. El esfuerzo de la actual concejalía por revitalizar el Mercado de Abastos como epicentro para el talento local encuentra en esta muestra un claro ejemplo de consolidación. Al vincular ahora un recinto municipal con la futura exhibición en la red de la Diputación, se afianza un circuito artístico continuo que permite a los creadores guadalajareños proyectar obras de gran formato y largo recorrido en su propia ciudad.
La Plaza del Pueblo de Cabanillas del Campo acogerá este viernes, 26 de junio a las 21:30 horas, la ‘Noche Eléctrica’, un concierto doble y de entrada libre. Este evento sirve como epílogo al aire libre del sexto ciclo de las ‘Noches Acústicas de Cabanillas’ que concluyó el pasado mes de mayo. El cartel reúne a la consagrada banda nacional Corizonas y a la artista local Eva Ryjlen, quien jugará en casa arropada por su grupo.
La cita permite disfrutar de dos propuestas singulares de la escena rockera. Corizonas, formación nacida en 2010 tras la fusión de Los Coronas y Arizona Baby, desplegará su característico sonido que mezcla el rock americano con la psicodelia y su etapa más reciente en castellano. Por su parte, la vecina y artista cabanillera Eva Ryjlen repasará su consolidada carrera en solitario, mostrando la evolución musical que la ha llevado desde el garage rock de Idealipsticks hasta las texturas pop y electrónicas de su último trabajo, ‘Venus en llamas’, publicado en 2025.
Este formato eléctrico al aire libre supone un paso natural en la consolidación del municipio como epicentro musical de la provincia de Guadalajara. A lo largo del último año, el archivo de Liberal de Castilla ha documentado cómo las ‘Noches Acústicas’ han fidelizado a un público que busca música en directo de calidad fuera de la capital. Cerrar la temporada dando el salto a los amplificadores en la plaza principal y cediendo el protagonismo a una autora de la casa que ha traspasado las fronteras provinciales, demuestra el impacto a largo plazo de esta apuesta cultural ininterrumpida.
El Museo Francisco Sobrino ha abierto sus puertas desde este viernes 19 de junio a una de las exposiciones más singulares de su programación reciente. La artista neoyorquina Layla D’Angelo presenta B Forever, una muestra que reúne una década de investigación en torno a la escultura cinética, el constructivismo y el arte óptico, convirtiendo las salas del museo en un espacio donde el movimiento, la geometría y la participación del espectador son protagonistas.
La inauguración marca el inicio de una exposición que permanecerá abierta hasta el 6 de septiembre. La propuesta de D’Angelo encaja de manera natural con la identidad del Museo Francisco Sobrino, dedicado a uno de los máximos representantes internacionales del arte óptico y cinético, y supone una oportunidad excepcional para acercarse a una creadora que ha desarrollado un lenguaje propio dentro de estas corrientes artísticas.
Nacida en Estados Unidos y afincada en España desde hace décadas, Layla D’Angelo ha vivido y trabajado en ciudades como Nueva York, Londres, Roma, Bogotá o México. Su obra más reciente surge de un descubrimiento técnico tan sencillo como revolucionario: el uso de imanes como elemento estructural y móvil de la escultura. A partir de piezas de hierro pintadas y ensambladas magnéticamente, la artista crea construcciones geométricas que pueden cambiar de forma, composición y apariencia, invitando al visitante a replantear continuamente su percepción de la obra.
El catálogo de la exposición, firmado por el comisario y crítico de arte Alan Rosenberg, define estas creaciones como una “invitación al infinito”. En ellas conviven referencias al constructivismo ruso, al op-art, a la escultura cinética y a figuras esenciales de la abstracción geométrica contemporánea. Sin embargo, lejos de la rigidez teórica, las obras de D’Angelo apelan al juego, al azar y a la experiencia directa del espectador, que deja de ser un observador pasivo para convertirse en parte activa de la creación artística.
Para el concejal de Cultura, Javier Toquero, esta exposición representa perfectamente la línea de trabajo que está desarrollando el Museo Francisco Sobrino: “Queremos que Guadalajara siga siendo un referente nacional para el arte contemporáneo y, especialmente, para el arte óptico y cinético. Layla D’Angelo aporta una mirada internacional, innovadora y profundamente conectada con el legado de Francisco Sobrino. Es una exposición que sorprende, que invita a participar y que demuestra que nuestros museos pueden ofrecer propuestas de primer nivel”.
Toquero ha destacado además que “B Forever convierte el museo en una experiencia viva. No es una exposición para contemplar desde la distancia, sino para dejarse llevar por el movimiento, las formas y la capacidad del arte para despertar la curiosidad. Estamos convencidos de que será una de las grandes citas culturales del verano en Guadalajara”.
Por su parte, Layla D’Angelo explica que el origen de esta serie nació de una casualidad que terminó cambiando por completo su forma de crear: “Todo comenzó con una palabra: imanes. Descubrí que podían sostener las piezas y, al mismo tiempo, permitir que se transformaran. Desde entonces entendí que la obra no tenía por qué ser algo cerrado, sino algo abierto a infinitas posibilidades”.
La artista asegura que su intención siempre ha sido crear obras capaces de generar placer visual y libertad interpretativa: “Me interesa que cada persona encuentre algo diferente. No hay una única lectura. El movimiento, el cambio y la participación forman parte de la propia obra”.
Con B Forever, el Museo Francisco Sobrino vuelve a reforzar su papel como espacio de referencia para las tendencias vinculadas al arte geométrico, óptico y cinético contemporáneo, acercando a Guadalajara una exposición internacional que dialoga directamente con el legado artístico que da nombre al museo
A low hum threads through the morning air above the Sweetwaters Chimpanzee Sanctuary in Kenya’s central highlands. As it grows louder — a small propeller drifting in from Mount Kenya — Max is already moving.
He snatches a dry branch, paces the electric fence, and begins shouting — ah-ah-ah — his cries rising into a scream at the sky. He swings his arm and sends the stick flying upward. His hair bristles along his spine.
“It’s because of the plane,” says Stephen Mukundi, the sanctuary’s head caregiver. “He is remembering Burundi during the civil war.”
An view of Sweetwaters Chimpanzee Sanctuary, set on the southeastern edge of the 360-square-kilometer Ol Pejeta Conservancy in Laikipia County — the only refuge of its kind in Kenya. Photo by Jaclynn Ashly.A caregiver hands food through the fence at Sweetwaters. The sanctuary’s caregivers live on-site around the clock, learning each chimpanzee’s temperament so closely that they decide every evening who can safely sleep beside whom. Photo by Jaclynn Ashly.Stephen Mukundi, the sanctuary’s head caregiver, walks the perimeter of the enclosure. He arrived at Ol Pejeta in 1996 and has known most of the chimpanzees here since they were infants — a second family, he says, that he has watched go from trauma to becoming chimpanzees again. Photo by Jaclynn Ashly.
Max was born in Burundi in 1988. Captured as an infant — his mother presumed killed — he spent his early years with a French film crew before being confiscated in 1990 at around two years old, and transferred to the Jane Goodall Institute’s rescue center in Bujumbura.
When the Burundian civil war broke out in 1993, the Institute evacuated — a crisis that led to the founding of Sweetwaters. Max was one of three chimpanzees airlifted across borders, a founding resident of what remains the country’s only refuge of its kind.
Today, Max is one of roughly 35 chimpanzees at the sanctuary — each rescued from the overlapping pressures of conflict, habitat loss, and the illegal wildlife trade. Some were repatriated from the Middle East, where they had been kept as pets or displayed in private zoos. Others arrived as infants with bullet wounds, or were discovered in crates at airports mislabeled as other animals.
The forces that brought them here are sustained by demand far beyond the forests they were taken from — wealthy buyers, private zoos, and commercial attractions that turn infant apes into status symbols and entertainment. While sanctuaries like Sweetwaters absorb the consequences, the trade continues to grow. For every chimpanzee rescued, many more are not.
Chimpanzees at Sweetwaters, the only sanctuary of its kind in Kenya — home to roughly 35 great apes, each rescued from the overlapping pressures of armed conflict, habitat loss, and the illegal wildlife trade. Photo by Jaclynn Ashly.A mother and her infant at Sweetwaters. The sanctuary is not a breeding facility — females are placed on contraception — but occasional unintended births mean a small number of chimpanzees have been born here. Photo by Jaclynn Ashly.
Second Family
The sanctuary lies on the southeastern edge of the 360-square-kilometer Ol Pejeta Conservancy in Laikipia County, where the last two northern white rhinos on earth remain.
The Ewaso Nyiro River divides the sanctuary’s chimpanzee enclosures into western and eastern sections. Chimpanzees are not native to Kenya — their range extends from Senegal across the Congo Basin to western Uganda — making Sweetwaters the only place in the country where they live.
Chimpanzees arrive to live out their lives here. Sweetwaters is not a breeding facility; females are placed on contraception, though occasional unintended births mean a small number have been born at the sanctuary.
Max is 38 now. “He doesn’t like people — large groups, cameras, long lenses, anything that reminds him of the film crew that handled him as a baby,” says 49-year-old Mukundi. Max also moves against the grain of his own society, picking fights and disregarding the social codes that hold the group together. Although he distrusts adult humans, he shows a particular affinity for children.
“Maybe they were kind to him during his captivity,” says Mukundi, a father of five. When two children arrive during visiting hours, Max, lingering near the fence, looks up immediately and begins to play, running along it and urging them to follow.
Max plays with two children visiting the sanctuary. Distrustful of adults after his early years with a French film crew, he shows a particular affinity for kids — perhaps, his caregivers say, because they were kind to him during his captivity. Video by Jaclynn Ashly.
Mukundi has been at Sweetwaters almost as long as Max. He arrived at Ol Pejeta in 1996 at 19, starting as a gatekeeper, then a night guard, then a caregiver. The work is demanding. The sanctuary’s 16 caregivers live on-site around the clock; Mukundi’s family lives 30 kilometers away and he sees them once a month.
“I’ve grown to really love these chimpanzees,” Mukundi tells TRNN, smiling. “They’ve become like a second family. I’ve raised most of them, known them since they were babies. I’ve seen them go from trauma to becoming chimpanzees again.”
He knows each animal by temperament, and every evening decides who sleeps where in the holding house — a decision with real stakes. If the wrong two males are placed together, “they might kill each other at night.”
Each caregiver has a favorite. For Mukundi, it is Manno, who arrived in 2016 from Iraqi Kurdistan.
Manno was taken from his mother in Central Africa shortly after birth and trafficked through the Middle East to Iraq, where he spent three years at Duhok Zoo. He was kept alone in a small cage stacked above a crate of boa constrictors. He never saw, heard, or smelled another chimpanzee. Zoo staff dressed him in children’s clothes; visitors handed him candy, soda, and cigarettes, which he learned to smoke.
In his last months in Iraq, a Syrian refugee worker at the zoo took him home at night, where he slept in a bed and was treated as part of the family — reinforcing a childhood shaped entirely by human contact.
When Manno arrived at Sweetwaters — after a year of planning his rescue — he was terrified. “I stayed with him the whole time,” Mukundi recalls. “He had never seen or heard another chimp before. I was like his father and mother. Every morning, he would run to hug me. I had to wait until he fell asleep to leave.”
Integration follows a sequence the sanctuary has refined over decades. New arrivals are introduced in stages — first to a calm female, then to others, followed by juveniles and lower-ranking males. Dominant males come last; their reaction can determine whether integration succeeds.
Today, Manno is competing for dominance in the eastern group, and Mukundi believes he could become the next alpha. “He just has about two more males to fight,” he says, with quiet pride.
“He came here alone, knowing nothing — not even that he was a chimpanzee. Now look at him. He’s finding himself and fighting for his place.”
Inside the Supply Chain
Chimpanzees like Max and Manno are survivors of a trade that removes thousands of great apes from the wild each year — captured for the pet and entertainment industries or killed for bushmeat — with chimpanzees among the most heavily targeted.
There are as few as 170,000 chimpanzees remaining in the wild — down from about 1 million at the start of the 20th century. All four subspecies are endangered. The western subspecies, critically endangered, fell by 80% between 1990 and 2014. The International Union for Conservation of Nature says the subspecies is now on a trajectory toward extinction without drastic intervention.
The illicit great ape trade operates within the same forces destabilizing chimpanzee habitats: armed conflict, extractive industries that carve roads into once-remote forests, and the poverty they produce pushing rural communities into the low-paid end of the poaching chain.
Scientists attribute the decline to a combination of habitat loss, poaching, and disease — pressures driven by poverty, conflict, extractive industries, and infrastructure expansion. Africa has the highest rate of forest loss in the world, losing roughly 9.6 million acres each year.
The illicit great ape trade operates within the same forces destabilizing chimpanzee habitats: armed conflict, extractive industries that carve roads into once-remote forests, and the poverty they produce pushing rural communities into the low-paid end of the poaching chain. State officials, meanwhile, often do more than fail to stop the trade; in some cases, they profit from it.
Across Western and Central Africa, these dynamics are embedded in land use itself: more than half the range of western gorillas and chimpanzees now falls within active logging concessions, where new access routes and labor camps both expand poaching and create sustained demand for bushmeat — wild meat often sold to urban elites.
“Mining and logging don’t create the trade — but they accelerate it,” says Ofir Drori, a wildlife law enforcement strategist who has spent two decades pushing governments to prosecute wildlife crime. “They open the forest, build roads, and make transport easy. These industries are facilitators, and at times their own personnel are directly implicated.”
In the Democratic Republic of the Congo (DRC), armed groups embedded in artisanal mining for coltan and gold drive much of the bushmeat poaching that produces trafficked infant apes. A 2018 Global Financial Integrity report identified a similar pattern in Sierra Leone, where post-war mining expansion has been linked to sharp declines in chimpanzee populations.
“The profit margins for great apes are far higher than any other species,” Drori tells TRNN. “The rarer the species, the more valuable.” While armed militias are heavily involved in poaching, Drori says he has found no clear evidence linking them to great ape trafficking. The trade runs on a different infrastructure — organized crime families and corrupted officials.
At the center are trafficking dynasties — extended families spread across multiple countries in West and Central Africa, laundering wild-caught infants through fraudulent CITES documentation.
Under CITES — the Convention on International Trade in Endangered Species — chimpanzees are listed in Appendix I, prohibiting all commercial trade. However, captive-bred specimens of Appendix I species can be traded commercially — provided the breeding operation is formally registered with CITES. No such registered facility for great apes exists anywhere in the world.
Traffickers exploit this gap through what enforcement specialists call the “C-scam.” Corrupt CITES authorities in exporting countries stamp permits with a “C” source code — designating an animal as captive-bred — for apes that were taken directly from the wild. In some cases, wild-caught apes are funneled through unregistered breeding operations in the Middle East — along with private zoos and safari parks that pose as conservation centers — where their wild origins are rewritten as captive-bred on paper. But no facility in the world is recognized by CITES for great ape breeding — meaning any permit claiming a great ape is captive-bred is inherently fraudulent.
“A corrupt CITES authority can turn an illegal shipment legal with a single signature,” Drori notes.
Prosecutions of traffickers and corrupt government officials have followed, but the illicit network has adapted faster than the law, Drori explains. When one node is dismantled, smuggling routes shift while remaining largely intact, and corruption migrates with them — more recently to the DRC, where the US State Department sanctioned senior officials at the Institut Congolais pour la Conservation de la Nature (ICCN) for trafficking great apes and other protected wildlife to China on falsified permits.
According to Daniel Stiles, a leading specialist on the live great ape trade, ICCN officials continue to issue fraudulent permits for wild-caught great apes.
“For the first time, we’re seeing poaching bands specifically targeting great apes — not for the meat,” Stiles says. “They kill the adults, take the infants, and leave the carcasses behind.”
The supply runs through a short list of transit hubs. Kano, in northern Nigeria, has been a primary hub since the 1990s. Istanbul has emerged as a key transit point: on December 22, 2024, Turkish customs intercepted a flight from Nigeria carrying a five-month-old gorilla named Zeytin in a crate bound for Bangkok labeled “50 rabbits.” The investigation traced the syndicate back to Kano. Cairo, Sharm el Sheikh, Khartoum, and Dubai have also been documented as launder points.
For decades, poaching was driven by the elite bushmeat economy, where great ape meat is sold in urban markets as a status symbol — luxury “big man’s meat.” The infants orphaned in these hunts were a secondary product. That equation has now been inverted: what was once a byproduct of the bushmeat trade is now a targeted, high-value extraction. As prices for live infants have surged — rising roughly tenfold over the past decade — the infant has become the primary target of a demand-driven international trade, fueled by status-symbol pets in the Middle East and commercial attractions in Asia, and now outpacing the profits of any other forest commodity.
“For the first time, we’re seeing poaching bands specifically targeting great apes — not for the meat,” Stiles says. “They kill the adults, take the infants, and leave the carcasses behind.”
When poachers locate a troop in the canopy — anywhere between 10 to 150 individuals — they fire directly. The adults die defending their young. The infants are pried from their mothers’ bodies and sold alive, sometimes with gunshot wounds of their own.
Accounting for adults killed and infants who die in transit, researchers estimate each surviving orphan can represent up to 25 chimpanzees killed. By this measure, each chimpanzee at Sweetwaters stands as evidence of potentially hundreds of deaths.
Written on Their Bodies
The geographies of this violence are written onto the sanctuary’s residents.
Ali Kaka, current alpha of the eastern group, was kept as a pet by the South Sudanese army for his first 18 months; in 2003, soldiers handed him over when they learned chimpanzees were being rescued to Kenya. Safari, an elderly male, spent his early years in a small outdoor cage at a Burundi hotel, taunted by holidaymakers until the Belgian manager surrendered him in 1989.
And then there is Poco.
Poco was born around 1981 in the forests of Central Africa. Captured as an infant — likely around three years old, after his mother was killed — he was sold to a shop owner in Bujumbura, who kept him in a narrow cage hung from the ceiling to attract customers. Poco lived in that cage for nine years. It was too small for him to lie down or move on all fours. Over time, his musculature, spine, and shoulders adapted to that constraint, and he developed an upright gait.
Rescued in 1989 by the Jane Goodall Institute and later transferred to Sweetwaters, Poco, now in his late 40s, is the only chimpanzee documented to walk bipedally by default.
Poco at Sweetwaters. Captured as an infant in Central Africa around 1981, he was rescued by the Jane Goodall Institute in 1989 and later transferred to the sanctuary, where he has lived ever since. Photo by Jaclynn Ashly.The cage that held Poco for nine years, now preserved at Sweetwaters as a teaching object for visitors. Hung from the ceiling of a Bujumbura shop to attract customers, it was too small for him to lie down or move on all fours — reshaping his spine and shoulders so that, decades later, he remains the only chimpanzee documented to walk upright as default. Photo by Jaclynn Ashly.Poco walks upright through his enclosure at Sweetwaters — the only chimpanzee documented to do so as default, his gait shaped by the nine years he spent in a cage too small to lie down or move on all fours. Video by Jaclynn Ashly.
What Dr. Stephen Ngulu, a wildlife veterinarian and former head of the sanctuary, learned over a decade there is how to read a chimpanzee’s history in its body.
“When they arrive, they are often dehydrated, malnourished, and sometimes injured,” he says. “Behaviorally, they are always withdrawn. They don’t want anything to do with humans or other chimpanzees.”
Many injuries are not visible: stunted growth, unhealed fractures, muscle wasting from years chained in place, dental disease from diets of chocolate and fried food. Chronic stress leaves deeper damage — suppressed immunity, delayed sexual maturation, neurological impairment.
“You can at times see a traumatized chimpanzee stargazing — not looking at anything,” Ngulu explains. “Unable to have proper cognitive abilities.”
The behavioral signs are consistent across arrivals: rocking side to side, the same motion seen in humans under extreme distress. Research has shown chimpanzees who survived prolonged captivity exhibit symptoms closely matching human complex PTSD. Chimpanzees and humans also share more than 98% of their DNA — our closest living relatives.
“A frightened chimpanzee can recover with time,” Ngulu tells TRNN. “But a deeply traumatized chimpanzee will show persistent abnormal behaviors. Even with optimal care, those behaviors can last for many years.”
In 2018, an infant named Bo arrived from Guinea-Bissau, confiscated from traffickers who had killed her mother for bushmeat and intended to sell her. “She was missing one tooth,” Ngulu remembers. “She was fearful and withdrawn.”
Bo survived and is now 11. “But to this day,” says Ngulu, “you will still see her sometimes sitting alone and slightly rocking back and forth.”
But not all the chimpanzees arrive at the sanctuary carrying scars. Alley came from a private home that treated her well. Nicknamed “the engineer,” she is caretaker Martin Kinyua’s favorite.
“She’s so intelligent we had to separate her from the other chimps,” says 45-year-old Kinyua, a father of three who has worked at the sanctuary since 2000. “Whenever she’s in the group, she has a big influence on the other chimps, even helping them break out of their enclosure.”
By observing sanctuary staff, Alley learned that dry wood does not conduct electricity. She used sticks to hold the live wires of the electric fence apart, making a gap for herself and the others to pass through. Caretakers also observed other chimpanzees in her group collecting sticks and handing them to her to assist in the escapes.
Alley has a record of trying to bite people after her breakouts — but not Kinyua, who describes a special bond with her. He recalls standing alone in the holding house when she appeared in the doorway after an escape, close enough to grab him. She didn’t raise her hair or advance.
“Alley trusts me,” he says, with a grin. Alley’s ingenuity — and repeated breakouts — became such a persistent problem that the sanctuary was forced to rebuild, separating her during the day in an enclosure with elderly Poco and reinforcing it with chicken wire.
A caregiver feeds Alley and Poco at Sweetwaters. Alley — nicknamed “the engineer” for using sticks to hold the electric fence’s live wires apart and lead group escapes — is now housed during the day with elderly Poco in a reinforced enclosure. Photo by Jaclynn Ashly.Martin Kinyua, 45, has worked at Sweetwaters since 2000. His favorite chimpanzee is Alley — “the engineer” — who has tried to bite others after her breakouts but, he says, has never turned on him. Photo by Jaclynn Ashly.
“The more you understand how intelligent these chimpanzees are, the more anger and grief you feel at the way they’ve been treated,” Kinyua says. “These are not pets. They are very intelligent beings.”
A Global Demand
While the supply chain runs across Africa, the demand that drives it lies largely outside the continent. In the Gulf, Russia, and Eastern Europe, infant chimpanzees are kept as status-symbol pets — sometimes gifted between elites — while in China and Southeast Asia, growing demand from private zoos, safari parks, and tourist attractions fuels a commercial market.
Across these contexts, infants function as luxury commodities and entertainment — appearing on social media in children’s clothes, posed on private jets, or used as selfie props — within a global trade driven by high-paying international buyers.
“Prices have quadrupled over the past decade,” Stiles tells TRNN. “An infant chimp can sell for up to $200,000, bonobos $300,000, and gorillas $550,000.” At the bottom of the chain, poachers are paid “peanuts,” often no more than $100.
For decades, the primary buyers were wealthy individuals in the Gulf who kept great apes as pets. That shifted in 2016, when the UAE banned private ownership of dangerous animals, restricting them to licensed facilities, Stiles explains.
“So these traders, who had been dealing in animals for years, started registering private zoos,” Stiles says. “To finance them, they opened them to the public. They make money through selfies and direct interaction — but for that, you need young animals, before they reach puberty and become dangerous.”
The result has been a proliferation of “private zoos” across China, the Gulf States, especially the UAE, Pakistan, and parts of South Asia — facilities that function as legal cover for private collections. Stiles alleges that major commercial operators in the Gulf have become significant players, relying on “a combination of legal and illegal acquisition.”
China has driven much of the parallel demand: roughly 10,000 zoos opened there between 2013 and 2020, nearly doubling the national total. Registered zoos can obtain import permits for strictly protected species far more easily than individuals — making them, Stiles notes, ideal laundering facilities for animals smuggled in and sold as captive-bred.
The pipeline also extends into India. Vantara — a vast private facility operated by the Ambani family and marketed as a wildlife rescue center — is alleged to have received chimpanzees exported from the DRC on CITES permits listing them as captive-bred. India’s Supreme Court ruled last year that Vantara’s imports were legal and barred further legal actions; however, a CITES Secretariat verification mission to India later flagged the captive-bred designations as questionable.
The United States is not immune to these dynamics. In July 2025, Bhagavan “Doc” Antle — owner of Myrtle Beach Safari and a figure popularized by the Netflix documentary Tiger King — was sentenced to federal prison for conspiring to violate the Lacey Act, a law prohibiting the illegal trade of protected wildlife. Antle paid $200,000 each for at least two chimpanzees and disguised the payments as donations to his conservation nonprofit — part of what prosecutors described as a years-long pattern of trafficking federally protected species.
Court filings described him as “a key player in the illegal chimpanzee trade” that others have sought to emulate. Yet despite the convictions, the United States still has no federal ban on private primate ownership. The Captive Primate Safety Act, which would amend the Lacey Act to ban private possession of primates, was reintroduced in May 2025 after previous attempts since 2005 failed to pass both chambers of Congress.
Stiles has advocated for legal accountability for social media companies facilitating the illegal trade in wildlife, and is currently working with a legal team on a lawsuit against Meta.
Social media has further accelerated the market. Since 2015, Stiles has documented more than 684 advertisements for great apes posted by at least 152 individuals across 19 countries, mostly on Instagram, Facebook, and WhatsApp. In 2014, most images showed apes in private homes. “Now it’s transformed,” Stiles says. “Ninety percent — they’re at a zoo.”
Stiles has advocated for legal accountability for social media companies facilitating the illegal trade in wildlife, and is currently working with a legal team on a lawsuit against Meta. “Meta could put a stop to this overnight,” he says. “But they’re allowing it because they’re making money from it.”
Enforcement outside Africa remains largely ineffective. Ofir Drori’s EAGLE Network has helped put more than 3,000 wildlife traffickers behind bars — mostly in Africa. Beyond the continent, he says, “there is no real enforcement. It’s a joke worldwide, especially in Europe.” At a CITES conference last year, member states moved to revive a long-dormant Great Apes Enforcement Task Force.
But Stiles believes supply-side enforcement alone is futile. “We have to put our attention on the demand side — the people buying,” he says. “You can arrest as many poachers as you want. But if the demand continues, those poachers will be immediately replaced.”
The enemy, Stiles says, is not a discrete set of criminals. It is a global market.
The Afterlife
Late afternoon at Sweetwaters is the quiet hour. The light begins to go orange along the ridge.
Poco turns and walks, upright, back toward the trees, the gait itself a record of the cage above the shop in Bujumbura. That cage — the one that held him for nine years — sits on display in the sanctuary grounds, preserved as a teaching object for tourists who ask how chimpanzees end up here.
Across the river is Kisazose, or Kiza for short, confiscated from a Congolese trafficker and brought to Sweetwaters in 1994 as an ill, undernourished infant. Timothy Njuguna, a 52-year-old caretaker at the sanctuary since 1995, cared for him then. “We used to go inside [the enclosure] with them when they first arrived,” he says, “because they were just babies. We used to even cuddle them.”
Timothy Njuguna, 52, has worked at Sweetwaters since 1995. Years ago, when a group of chimpanzees broke loose and pinned him to the floor of the holding house, Kiza — whom he had cared for since infancy — fought the others off and gave him a chance to escape. Photo by Jaclynn Ashly.
Years later, when Kiza had grown, a group of chimpanzees broke through the fencing undetected and escaped into the holding facility where Njuguna was preparing their dinner. One of the males pinned him to the floor. Others moved in.
“I thought for sure they would kill me,” says Njuguna, a father of two. “But Kiza, because he was a friend of mine, protected me. He immediately started fighting with them. At that moment, I got a chance to run away. Kiza literally saved my life.”
“Before I started working here, I didn’t realize chimpanzees were so close to humans,” he continues. “They use tools, they think the way people think, they solve their problems. After working with them, I came to realize they are very close to human beings.”
Florence Kangethe, a 31-year-old wildlife veterinarian who has worked at the sanctuary for nearly four years, arrived at the same conclusion through clinical practice.
Timothy Njuguna near the enclosure with one of the few chimpanzees born at Sweetwaters — an unintended birth at a sanctuary that does not breed its residents. Photo by Jaclynn Ashly.Florence Kanyede, a wildlife veterinarian at Sweetwaters for nearly four years, says watching the chimpanzees reveals friendships, gossip, grooming rituals, and quiet introverts — “really like a mirror to ourselves.” Photo by Jaclynn Ashly.
“If you sit down with them for one hour, you’ll pick up so many different things,” she says. “Two best friends probably gossiping together, then grooming, or a mother-child bond here, then the introvert sitting by themselves. They’re really like a mirror to ourselves.”
By early evening, the keepers begin moving the chimpanzees into the holding house. Mukundi stands at the gate, calling each one by name. Most come. Max does not. He sits at the edge of the enclosure, ignoring the call.
“He’s stubborn,” Mukundi says, with a chuckle. “He knows he has to go in. But he wants to make it difficult.”
Max is among the least liked by his own troop. He cannot sleep with the dominant males; they would attack each other by morning. According to Mukundi, he gets away with his rebellions because he has formed a close bond with the group’s alpha, who always comes to his defense.
Members of the group wait outside the holding house at Sweetwaters as the light begins to go orange along the ridge. Photo by Jaclynn Ashly.A chimpanzee slips into the narrow entrance of the holding house at Sweetwaters, where the sanctuary’s residents are settled in for the night. Photo by Jaclynn Ashly.Max sits at the edge of the enclosure, ignoring the call to come in for the night. “He’s stubborn,” says head caregiver Stephen Mukundi. “He knows he has to go in. But he wants to make it difficult.” Photo by Jaclynn Ashly.
“If Max likes you, he really likes you — and you will know,” Mukundi says. “And if he hates you, he makes it very clear. He will even collect feces or find big rocks and throw them at you. He doesn’t hide anything.”
Eventually, Max relents. He passes Mukundi and slips into the narrow entrance of the holding facility. Mukundi watches him go, laughing softly — like one might at a troublesome relative — knowing he has made many enemies inside.
“Sweetwaters was set up to offer lifelong care,” says Ngulu, the former manager. “So if there are no more chimpanzees that need to be rescued — if the systems in the countries where they are found are working properly — then there is no need to have a sanctuary. The animals would live out their lives here, die, and we can close because everything now is perfect.”
“But, unfortunately, we seem to be heading in the opposite direction.”
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After an April decision by the US Supreme Court gutted the 1965 Voting Rights Act, Tennessee became the first state to redraw its Congressional district maps, resulting in the 9th District—a solidly Democratic seat representing the only majority-Black district in the state—being erased. We speak with Tennessee State Representative Justin Pearson, who has been running to represent Tennessee’s 9th District in the US House of Representatives, about why he is still running despite Republicans’ attempts to rig the electoral process, and what is at stake for Tennessee and the country this midterm election season.
Additional links/info:
Credits:
Videography: Stephen Janis, Maximillian Alvarez
Post-Production: David Hebden
Transcript
The following is a rushed transcript and may contain errors. It will be updated as soon as possible.
Maximillian Alvarez:
We’re here in Philadelphia at the 2026 Net Roots Conference and I’m sitting with Representative Justin Pearson from the Tennessee House of Representatives who is now running for the US House of Representatives. Representative Pearson, thank you so much for joining us. I know you only have a few minutes and we got so much to talk about, so I kind of want to just throw a couple things at you and let you go, right? I got you. Tennessee was the first state to redistrict its congressional maps after this Supreme Court hearing. So you were at the center of that. What the heck can people do about this attempt to rig the midterm elections and everything moving forward? Second, you are in Memphis, one of the epicenters of this data center crisis, black, brown communities being poisoned, energy being taken, billionaires ruining everything. So what is it like on the ground in Tennessee?
What can be done at the state level and what do you hope to accomplish at the national level with this by being a member of the House of Representatives?
Justin Pearson:
Absolutely. Thanks so much again for having me. But look, the first problem is we are seeing a deleterious impact to our democracy with the Supreme Court now being captured and operating as a partisan entity instead of an independent one. The consequences of that are real. We have a new district now with 15 counties, but listen, go to votejustinj.com, sign up to volunteer. You can phone bank from anywhere in the country and it’s going to take a mass mobilization effort for us to win, but it is possible. And it didn’t make it impossible for us to win. They just made it more difficult and we’re okay taking on a challenge. But our message is clear. We are standing up against billionaires in the status quo that has not worked for people. We understand that politically, Democrats and Republicans too often have done the same things that have led us to the consequences of decisions where billionaires have captured our government, are polluting the air that we breathe, taking the water that we drink and polluting it just for their companies to make more profits.
So we’re a voice for working class people and addressing these issues head on at the state level. We’ve introduced the moratorium similar to what Senator Sanders and Congresswoman, the AOC and others have been putting forward. And at the national level, that’s going to be something I push for. We have to slow this down, address the causes and the issues of working class people and stop billionaires from taking over our government and our country.
Maximillian Alvarez:
And do you think that the Democratic Party is ready for that, especially with the 2024 autopsy being so sparse on real critical details of what the party did wrong to lose to Trump. Again, what do you think it’s going to take to defeat MAGA, Trump and the Republicans today?
Justin Pearson:
Yeah, we have to build power. We have to make sure that we are increasing our turnout, our education, our information. We have to go to places other people have not gone. We went and knocked some doors in rural communities. We knocked on doors where someone said, “No one’s ever been here in the 40 years that I’ve lived here.” That is what it is going to take precinct by precinct, county by county, state by state. And we can’t negate or neglect the south in particular where the mass majority of black folks in the United States of America live with the bedrock of the Democratic Party. We need everybody to come to the south and support, whether that’s virtually or in person because this is the moment and this is the time to defend what we believe.
Maximillian Alvarez:
And final question, like when you are going around talking to folks in rural areas, in the cities, in the south, people have a lot of ideas about who lives there, what they think, where their politics come from. What do you think people need to know about the potential for building working class political coalitions? What are the issues that are uniting working people in Tennessee that the political pundit class just totally misses?
Justin Pearson:
It’s economics. People are struggling financially. Everybody’s dealing with the consequences of an Iran war that has led us with high gas prices, high grocery prices, and they want an economy that works for everybody, not just for the people at the top. Everybody wants to have, everybody we talk to wants Medicare for all, wants an expansion of healthcare, and particularly in a state like Tennessee, where we have the highest number of people with medical debt in the United States of America. 16 rural hospitals have closed. Folks know that this is not the way that things need to be. This is not the way that things have to be. And they want to have voices that stand up to these billionaires, building these data centers all across our state, all across our country without regulations, without permissions, just doing it, taking farm land, taking communities land, destroying our water, destroying our air quality.
They want leaders that are going to fight for them and not just continuing the same political machine, the same status quo that’s happened before.
Maximillian Alvarez:
Sorry, final question because we just talked to Representative Summer Lee and she had a great point, which is like the Republicans are trying to rig the elections and redraw these maps because they know that they are deeply unpopular and they can’t win the popular vote, but the reality of them trying to rig it and take away the Democratic enterprise is very, very real. So what’s your message out there to folks who are already feeling defeated about the upcoming midterm election season and American democracy as such?
Justin Pearson:
Yeah, you cannot quit now. This is the time to give everything that you possibly can for this constitutional Democratic Republican experiment that we have. The next six months are the most important six months I think for all of us who are alive because I don’t ever think, again, you’ll see the stars aligning with the white supremacist president, states that are captured by that presidency, billionaires able to buy government in this kind of way. These six months, you actually need to knock more doors than ever before, make more phone calls to your family, making sure people are registered to vote and that they turn out, support candidates, whether they’re in your state or outside of your state, especially in the South who are dealing with the consequences of racist redistricting. Now is not the time to give up. Listen, I’m still running for Congress. My family hasn’t given up.
My community hasn’t given up. So this isn’t the time for you to sit down and sit back. This is the time to get engaged and get off the sidelines more than ever before to defend what we believe.
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Florida has a magic that only Floridians truly understand. The mix of whimsy, bravery, and devotion you find here is unique, as is the land itself: lush acres of forest and marshy wetlands, puppy like creatures found in springs and slow-moving rivers, beaches of white sand, and off-the-beaten-path trails.
It’s tough to be from here—we’re plagued with hurricane season, mocked with GIFs like Bugs Bunny sawing from the rest of the country, and absurd “Florida man” jokes reflecting the tired 2010s-era cliché that our state is a den of drug-addled chaos and bizarre misadventure. If you mention Florida in conversation, you’re often met with a disgusted or concerning gaze.
The state has also long served as the country’s playground—or, as scholar Julio Capó Jr. describes it in his history of queer Miami culture, a “fairyland” that lures in tourists with the promise of a quick getaway surrounded by Disney animatronics and dreamy beaches. It may be unrecognizable to visitors from outside of the state, but Florida has always been a little queer, even beyond the periphery of the gay club scene in Miami.
In the past several years, however, Florida has become increasingly known for being hostile to queer people. Republican Governor Ron DeSantis—whose term began in 2019, less than three years after the June 2016 mass shooting at Orlando’s Pulse nightclub that killed forty-nine people—is fixated on decimating Florida’s queer population and crushing the morale of our indomitable spirit. In 2021, DeSantis signed into law a provision that redefined a public demonstration of more than three people who “commit a breach of the peace” as a “riot,” giving police officers leeway to enforce it against queer and trans protesters. The next year, DeSantis and the Republican-led state legislature passed a blitz of oppressive laws: the “Don’t Say Gay” bill, which restricted public school curriculum related to LGBTQ+ people and issues; the “Stop WOKE Act,” which restricted protected speech in the workplace related to systemic racism and sexism; and a ban on abortion after fifteen weeks. (This was replaced when a near-total abortion ban went into effect in 2024.) In 2023, DeSantis oversaw a rightwing takeover of the governing board at New College of Florida, resulting in seismic institutional and culture shifts at the Sarasota public liberal arts college.
Viewed as a gay utopia for queer and transgender youth, New College had been the obvious choice for Nya Jacobson. During Jacobson’s freshman year, DeSantis appointed a slate of conservative trustees at the school; within a year of the takeover, the gender studies department was eliminated, hundreds of library books were tossed in the dumpster, and students and faculty left New College in waves.
As a firsthand witness to this hostile takeover, Jacobson organized New College’s LGBTQ+ organization, Queery Club, even if it meant jeopardizing their future career. “I wasn’t sure of the implications, but I was like, ‘OK, I need to basically make a decision right now,’ ” they tell The Progressive. “ ‘I’m in my first year of college; I’ve got these big plans for my life and my future. Is this fight worth it?’ But I remember thinking, ‘I guess I’m gonna be a delinquent now.’ ”
Jacobson continues to see queer students enroll at New College, despite the incessant attacks on LGBTQ+ freedom. “Every time I see a new class of little baby gay freshmen,” Jacobson says, “I want to be able to show them that . . . they’re finally out of their parents’ homes; they can be who they want to be here, and they don’t have to be freaks for that.”
As this June marks the ten-year anniversary of the mass shooting that claimed forty-nine lives at the Pulse nightclub, queer Floridians have a grim and destabilizing decade to look back on. Our once-purple state has emerged as the nation’s petri dish for extreme rightwing legislation as an influx of wealthy conservatives into the state has weakened the voting power of those opposed to their government’s homophobic and transphobic agendas. In this climate, how do we stay afloat?
Floridians are desensitized to the violence of gun culture at a young age: friends’ parents owning guns, walking past a case of rifles at the big-box store near your school, seeing countless gun show billboards on Interstate 10. If you’re Black, you learn about guns at an even younger age than your white peers during conversations about Trayvon Martin, gun violence, and deadly encounters with the police. Reliable data is hard to come by—as so many guns are unregistered—but Florida is secondonly to Texas both in terms of the number of guns and the number of adults who report living in a home with guns. It means neighborhoods don’t feel safe. It makes it feel like gun violence could happen anywhere, like at the nightclub on a weekend. It’s inescapable.
On June 12, 2016, at one of Pulse’s weekly Latin Nights, Omar Mateen opened fire in the gay nightclub, resulting in what was then the deadliest mass shooting in U.S. history and is still the deadliest attack against LGBTQ+ people. Forty-nine people were killed and fifty-three were wounded. A majority of the victims were Latine, placing it within the culture of targeted violence faced by queer and transgender Latines in Florida.
The site of the former Pulse nightclub in Orlando, Florida, where forty-nine people were killed in June 2016 in the deadliest attack against LGBTQ+ people in U.S. history. In March 2026, the remnants of the nightclub were demolished, and a public memorial is expected to be finished in 2027.
In 2019, a group of survivors, family members of Pulse victims, activists, and scholars established the Community Coalition Against a Pulse Museum (CCAPM) to oppose the onePULSE Foundation’s $45 million plans to build a private museum. An open letter on CCAPM’s website reads, “We demand a tasteful and respectful public memorial to honor our loved ones where one can come to reflect, not a tourist attraction that charges admissions and sells mass shooting merchandise.” Additionally, the coalition seeks to hold the City of Orlando, the Orlando Police Department, and Pulse owner Barbara Poma accountable for the wide scope of unpermitted renovations and code violations at the nightclub, which further impeded the victims from escaping.
In 2023, the city of Orlando took over the memorial project, purchasing the property from Poma. In March 2026, the remnants of the nightclub were demolished. Orlando Mayor Buddy Dyer announced that the memorial is expected to be finished in 2027.
With Lux, a feminist magazine, I co-organized a multistate campus tour this past spring with stops at the University of Central Florida, Florida International University, and New College of Florida to encourage students to connect campus struggles to the larger political world. What my colleagues and I saw on this tour reflected my own experience as a student organizer at Florida A&M University (FAMU): Political action by college students is made a great deal stronger by support from off-campus community grassroots organizers.
Alongside student organizations, professors are grappling with the state’s war on education, including Evan Lauteria, an assistant instructional professor in sociology at the University of Florida. In March 2026, the state university system’s board of governors voted to remove Introduction to Sociology—deeming the course to be an alleged avenue for professors to promote leftwing ideologies and social justice advocacy—from the mandated core general education curriculum for freshman students.
“Less as a sociology professor and more as a Floridian, I think higher education is an avenue for young people to become engaged citizens, and so any attack on the education system is fundamentally an attack to democracy and an attack to civic engagement,” Lauteria tells The Progressive. “The attempts to eradicate history, to revise it, to prevent faculty from being able to talk about really well-established research on issues of stratification, inequality, or poverty, is fundamentally a threat to the whole citizenry and all of the people of Florida, and it should be treated as such.”
Lauteria ties the push to remove sociology to the Don’t Say Gay and Stop WOKE bills, and says that the goal of DeSantis’s administration is to “minimize the capacity of anyone to have critical thinking skills around these issues, which is why general education became their focus.”
While professors try to prevent the erasure of history and culture from their curricula, local organizers are also stepping up to the plate. The Walrus, a vegan restaurant in Jacksonville, dually serves as a third place for anarchist and Afrofuturist reading groups, drag shows, punk bands, and mutual aid drives. The owner, Alexander Eli, tells The Progressive that running a business as a trans person leads to security issues and tokenization, but their mission leads him to organize his rage and protect the “radical queer vegan bar that the city deserves.”
“People should have a place where they can wear a dress for the first time or be a part of nightlife culture in the South without feeling ostracized,” Eli says while drawing attention to the lack of nightlife catered to sapphic and femme-presenting people. By spotlighting queer joy as an act of resistance, dance parties—like Masisi Radio (Miami’s queer Caribbean collective) or Dyke Nite in Orlando—make space for underserved communities.
In the less than two years since it was founded, Dyke Nite has hosted a lesbian arm-wrestling party, craft nights, a “campy” strip spelling bee, and in April, a kiss-in rally on Lesbian Visibility Day, which included speakers from Central Florida Queers for Palestine and CCAPM. Alexia Clarke, one of the co-founders, says being in solidarity with strong grassroots movements in Florida is a necessity.
As Clarke recalls her college memories of clubbing at Pulse, which now feels like “a haunted house” on Orlando’s bustling Orange Avenue, she says that her unshakeable drive to create sapphic spaces led to Dyke Nite, because there is “power in numbers.”
Operating as the only queer and feminist bookstore in Tallahassee, Common Ground Books is decorated with kitsch, colorful stickers opposing the patriarchy, middle school graphic novels, and copies of Rachel Reid’s famed gay hockey romance Heated Rivalry. Although the best-selling Game Changers series is a hit, the top-selling category at Common Ground Books is nonfiction. “Perhaps it’s because of the demographics in Tally,” says Alex Spencer, the bookstore’s owner. College students at Florida State University and FAMU, as well as a strong presence of organizers and feminists in Tallahassee, make up a large share of the store’s customers. “A lot of people turn to books to further their education and fill in the gaps.”
Spencer, who opened the award-winning bookstore in 2022, recognizes that the influx of customers is not just because of the store’s proximity to the state Capitol and universities. Common Ground Books attracts queer elders, curious young readers, and those craving a third place where locals can explore their gender with binders or a new wardrobe of clothes, accessories, and makeup. Aside from the literature, the store offers free contraceptives, Narcan, bilingual informational cards about Constitutional rights, nonperishable goods, and hygiene products—plus you can always find a flyer for an upcoming rally or craft night.
Spencer had to cease the bookstore’s “Drag Story Hour” due to threats from counter-protesters and the political fallout from Florida’s vague “Protection of Children” act, the 2023 law which sought to prohibit children from attending any “adult live performance” that features sexual or lewd conduct. She insists, however, that the community of drag queens, transgender people, and grassroots organizers offer enough support to sustain business.
Tallahassee’s fluctuating yet tight-knit environment as a college town has built a ragtag group of working-class avengers: union workers, guerilla gardeners, abortion advocates, climate activists, college students, and librarians.
Delilah Pierre, the president of the Tallahassee Community Action Committee, has a highly regarded presence in Tallahassee’s activism circles for leading rallies against racial and trans injustices and creating the now-defunct citizen’s police review board. Citing Tallahassee’s civil rights-era bus boycott in 1956 led by the Reverend Charles Kenzie Steele, and sisters Patricia and Priscilla Stephens, who organized the Congress of Racial Equality’s sit-in with other FAMU students in 1960, she credits former Tallahassee residents for laying the groundwork to create a legacy of Black activism.
“They put conscious attention into making sure that when they leave—and many of them will leave—don’t just leave everyone else to pick up the pieces,” Pierre tells The Progressive. “We have a plan for what leaving and transitional leadership is going to look like and what it means for someone else to be in a leadership role.”
Although college campuses have been a decades-long route for radical ideologies through student-led feminist, identity-based, and LGBTQ+ organizations, being a born-and-raised Floridian offers a unique introduction to political consciousness. Without the academic language to understand how these historic events affect everyday people—not to mention the actions that remove words like “culture” and “diversity” in textbooks—how does one voice their interest in political education?
Dara Britton, a homeschooled student in Leon County, says that her identity as a queer mixed-race person of Jamaican descent is one of many things that motivated her to participate in direct action, including a protest against U.S. Immigration and Customs Enforcement assembled by a high school student in Leon County and Tallahassee’s No Kings rally in March.
“I’m involved with a lot of homeschoolers and homeschool communities that are very queer and very open about their identities,” Britton, who uses she/they pronouns, tells The Progressive. “We build more surface-level connections about our common interests, and there’s so many people who are not scared to be themselves and their own identities.”
Their closest friends, whom they met through a self-described homeschooling co-op, bond over their shared fear of book bans and attend protests together. “That’s what really brings us together—knowing that we are each other’s safe spaces and that we always have each other to turn to. It’s something that I haven’t really had before I joined this co-op.”
At seventeen years old, Britton says she just “hopes to bring some joy.” Her resilience speaks for itself. “To the people who are feeling hopeless in this situation, look to other people. It’s easy to get wrapped up in [the news cycle] online, but you can’t help anyone if you’re not helping yourself. Turn to your friends, family, and the people who know how to help you. Spread the awareness and kindness that we want to get and hope to bring to the world. We are a community, even if some people don’t want us to be.”
Despite the obstacles, LGBTQ+ creators and activists with resounding connections to Florida are reimagining a queer utopic version of the state. One that cares about its at-risk citrus trees, doesn’t build prisons over wetlands, prioritizes citizen-led committees instead of creating police training facilities, and supports queer authors rather than banning their books. Recent documentaries display an orange-tinted lens on Florida’s political struggles, such as Sasha Wortzel’s River of Grass, a psychedelic reimagined namesake of Marjory Stoneman Douglas’s book, and Patrick Bresnan’s First They Came for My College, which follows DeSantis’s coup at New College of Florida.
Can’t Stop Change: Queer Climate Stories from the Florida Frontlines is another among these projects. The feature-length documentary chronicles climate justice through the eyes of fifteen artists, educators, and organizers. To open the film, Miami-based organizer Valencia Gunder speaks directly to some of the most marginalized Floridians: “Queer people, trans people, migrant people, Black people, brown people—this is your Florida. Don’t you let nobody tell you you need to go back where you came from.” She continues, applauding Floridians for their self-determination—an undeniable trait embedded in the DNA of most residents, allowing them to endure hurricanes and envision a liberated version of Florida.
V Starks, an associate producer who is also featured in the film, understands this self-determination well as a born-and-raised Floridian from Jacksonville, the Southeast’s largest city. After attending a screening of Can’t Stop Change, Starks’s interest was piqued by seeing queer Floridians depicted in a way that didn’t write off the state as the nation’s armpit. Starks—who considers his high school’s Genders & Sexualities Alliance, natural hair club, and feminist club as their entry into radical thought and grassroots organizing—credits their role in the film as a challenge to rethink how he thought about his hometown.
“I have so much love and respect for people who are there, and my heart is there, but I have geographically, physically separated myself,” Starks says of Jacksonville and his decision to temporarily move to Atlanta, Georgia, during the COVID-19 pandemic.
Thanks to Starks’s involvement, Jacksonville was included in the extended cut of the documentary, introducing characters like Paige Mahogany Parks, the vibrant founder of the Transgender Awareness Project, who publicly condemned the uptick of Black transgender women murdered in Jacksonville in 2018.
Above all, Starks hopes the film encourages people to interrogate queerness alongside the ways that we shape and shift narratives and affect change within our communities. “The film has been so core to my expanded understanding of abolitionist possibility,” he says. “If we can question gender—something that’s taught so neatly and ingrained—we can question anything. We can deconstruct and destroy worlds and build worlds.”
Collective action is the contingency plan that gets us through hurricanes, book bans, and riot bills. Attending drag shows and protests with our neighbors expands our unlimited endurance in our fight for a state that sees and accepts us for who we are. Through the work of countless LGBTQ+ and youth organizers, we can see that Florida is worth fighting for.
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It’s funny how a simple bit of polyester material can transport you back in time, connect you to the glory of heroes of the past. It can create a bond between player and city, fan and team. Or just think how putting on a simple jersey can make a player like Jalen Brunson, listed at just over 6ft, feel taller than Victor Wembanyama.
It’s all down to the psychology of basketball jerseys and how they impact player confidence. It’s more than just a garment, and it’s more than the high-end materials representing millions of dollars in research. The jersey, at its core, can make a good player a great one, even if it’s just for a single game or series.
Feeling Like a Pro Player
Ask any former NBA player what it feels like to put on their old jersey. It envelops you with a feeling, a switch that turns game mode on. It acts like a mental signal, a Pavlovian cue that it’s time to level up.
For the pros, it’s a core ritual component. Once you put the jersey on, you know you’re going to step on that court to represent a city, a franchise, a hungry fanbase looking to their idols to realize their dreams. When Luka put on that Lakers jersey, it instantly broke thousands of Dallas hearts, and conversely, started a love story in Los Angeles.
For amateur players, having the real deal, just like the pros wear, makes them feel like something more. We’ve all gone through the same set of emotions. You put on that Jordan 23 retro, one of the most famous jerseys ever, and every shot will hit, you just know it. You’ll swish that game winner, just like MJ over Ehlo.
On the flip side, a shoddy, poorly-fitted jersey can take you down a few inches. You feel like you’re part of a team that’s not taking it seriously, it’s cheap, it’s nothing like what Don?i? or Joki? wear on the court.
The Psychology of Team Building
The first step is feeling like a pro as an individual player. But the title of this piece includes the plural for a reason; jerseys impact player confidence at the team level, too.
Matching uniforms builds that feeling of “us”, moving together as a single unit, passing, rotating, screening, all without putting the individual at the forefront. Uniforms don’t do it all, but they’re a first step in the team-building process for a championship team.
For a pro player, it means finally joining an NBA franchise, and it’s for real. Putting on that jersey on draft night, it represents the thousands of hours in the gym, the sacrifices, the sheer joy of an unbelievable moment, Adam Silver announcing your name on that stage. It starts the process of becoming part of something bigger.
On an amateur court, uniforms help players when they may not know each other very well. A cohesive jersey design that represents their club, college, or local town is a powerful signal of togetherness.
To the outside, fans and opposing teams will see something, expect something. When you face a team that looks like a single unit, with professional jerseys, the nerves build, and the doubt creeps in.
Jerseys Connect Players to Fans and City
On June 4, 2026, the Houston Rockets announced new uniforms. Or rather, new old uniforms. The team is going back to ketchup-and-mustard, harking back to the glory days of Hakeem Olajuwon and Clyde Drexler.
Clutch City, 2026 edition. The team finally listened to their fans, who have been asking, almost begging, for a switch from their unpopular designs of recent years.
With the release, fan buzz exploded straight away. The Rockets feel like the Rockets again, whole, complete, a reparation of a bond that should never have been broken.
The players feel it, too. Players like Kevin Durant and Amen Thompson have already given their seal of approval. And it doesn’t seem like they’re just reading off the PR script, either.
Uniforms mean something to players, also. Even if they’re earning millions of dollars. When the design isn’t up to spec, new but for no reason other than a cheap way to make more sales, players feel it on the court.
When there’s thought behind it, a true connection to the soul of a franchise, a respect that’s there for those that came before, it really creates something between a player and the team. It’s why the Boston Celtics haven’t changed their core design, or why the Lakers still play in their famous purple and gold.
More Than Fabric
Of course, there is a limit to all of this. A Jersey can’t defend a pick-and-roll or block a potential championship-winning shot (only OG Anunoby can do that).
Yet a jersey can give that little extra boost, that 1% that makes all the difference. The best designs support movement, and they maximize breathability. But they also carry the history of a franchise, match design and quality, and give players a psychological edge over their opponent.
For nearly three quarters on Wednesday night, Madison Square Garden was preparing for disappointment.
The New York Knicks looked overwhelmed. The San Antonio Spurs looked unstoppable. And a chance to take complete control of the 2026 NBA Finals appeared to be slipping away.
Then something extraordinary happened.
Something that will be remembered alongside the greatest moments in franchise history. The Knicks erased a stunning 29-point deficit, rallied in front of a deafening Madison Square Garden crowd, and stunned the Spurs 107-106 in Game 4 of the NBA Finals. With the victory, New York takes a commanding 3-1 series lead and moves within one win of capturing its first NBA championship since 1973.
What unfolded inside The Garden wasn’t just another playoff comeback. It was one of the most dramatic nights the NBA Finals has ever seen.
And for Knicks fans who have waited decades to see their team this close to a title, it felt like destiny unfolding in real time.
Knicks vs Spurs Game 4: A Nightmare Start for New York
Nothing about the first half suggested New York was about to make history. From the opening tip, San Antonio controlled the game.
Victor Wembanyama dominated both ends of the floor. The Spurs moved the ball with precision. Their perimeter shooters found open looks. Their defense swarmed every Knicks possession.
Meanwhile, New York looked tight. Shots rimmed out. Defensive rotations arrived a step late. The energy that had fueled Madison Square Garden before tipoff slowly disappeared as the Spurs continued building their lead. By late in the second quarter, the scoreboard looked almost impossible to comprehend. New York trailed by 29 points.
Twenty-nine.
In an NBA Finals game.
At home.
With a chance to put one hand on the Larry O’Brien Trophy. The Garden was stunned. Fans sat in silence. Social media was already discussing Game 5. The Spurs looked poised to tie the series and seize momentum. Instead, the deficit would become the setup for one of the greatest comebacks basketball has ever seen.
Madison Square Garden Refused to Quit
One of the defining characteristics of great sports venues is their ability to influence games. Madison Square Garden did exactly that Wednesday night. Even while trailing by nearly 30 points, pockets of the crowd continued searching for reasons to believe. A defensive stop generated a little noise. A transition basket generated a little more.
Then another stop.
Then another basket.
And suddenly the impossible began to feel slightly less impossible.
The third quarter became a turning point. The Knicks began winning loose balls. They started forcing turnovers. The defense tightened. The rebounding improved. Most importantly, the crowd came alive. Every Spurs mistake was met with a roar. Every Knicks basket brought thousands of fans to their feet. The energy inside the building transformed completely.
What had been a nervous, frustrated crowd evolved into a force of nature. The players felt it. The Spurs felt it. Everyone watching felt it. The comeback was no longer a fantasy. It was becoming reality.
Celebrity Row Witnesses Knicks History
No arena in sports combines basketball and celebrity culture quite like Madison Square Garden. Game 4 felt less like a sporting event and more like the center of the entertainment universe. Actors, musicians, comedians, business leaders, and sports legends packed Celebrity Row for what was expected to be one of the most important Knicks games in decades. Former Knicks stars filled seats throughout the building. Franchise legends watched anxiously as the current team attempted to accomplish something no Knicks squad had achieved in more than fifty years.
As the comeback gathered momentum, cameras repeatedly captured stunned reactions from courtside celebrities. Smiles turned into disbelief. Disbelief turned into celebration.
By the fourth quarter, everyone in the building had become part of the same experience.
Whether they were lifelong Knicks fans or A-list celebrities, nobody wanted to sit down.
Jalen Brunson Continues Building a Knicks Legacy
Every championship contender eventually reaches a moment when its star player must deliver. Jalen Brunson delivered. Again. The Knicks point guard has repeatedly authored signature performances throughout New York’s playoff run, but Game 4 may ultimately rank among the most important of his career.
What separates Brunson from many stars is his composure. While the crowd was losing its mind and the pressure reached unimaginable levels, Brunson never appeared rattled. He controlled the pace. He attacked favorable matchups. He made smart decisions. Most importantly, he made winning plays.
As the deficit disappeared and the game tightened, Brunson became the steady hand guiding New York toward history. The deeper the playoffs go, the stronger his case becomes as one of the most impactful free-agent signings in franchise history. If the Knicks finish this championship run, Brunson’s place in New York sports lore will be secured forever.
OG Anunoby Delivers the Defining Moment
Every legendary comeback needs a defining image. The Knicks got theirs in the final seconds. With New York desperately searching for one final play, OG Anunoby found himself in the perfect position at the perfect time. The ball came off the rim. Anunoby reacted. No one picked him up on defense as he was the inbounder.
The tip found the basket.
Pandemonium followed.
Madison Square Garden erupted instantly.
For a franchise that has spent decades searching for championship relevance, it felt like years of frustration, heartbreak, and waiting were released in a single moment.
Why This Win Changes Everything for the Knicks
Beyond the emotion and the history, this victory fundamentally changes the NBA Finals. Instead of a tied series heading back to San Antonio, New York now holds a commanding 3-1 lead. Instead of facing questions about momentum, the Knicks have placed enormous pressure on the Spurs.
Can the Knicks Finish the Job in Game 5?
As incredible as Game 4 was, the reality is simple. The championship has not been won yet. San Antonio remains dangerous. Wembanyama remains one of the most talented players on the planet. The Spurs have spent the entire season proving they can respond to adversity. But Game 4 felt different. It felt like one of those nights that championship teams experience before finally reaching the summit.
For one unforgettable night, New York wasn’t just the center of basketball. Madison Square Garden wasn’t just The Mecca.
It was the center of the entire sports world.
And now, after a historic 29-point comeback, the Knicks stand just one win away from bringing a championship back to New York City.
You can usually tell when New York believes in a team. The noise changes and the conversations get louder. Celebrities suddenly become even more visible courtside and every sports discussion somehow finds its way back to the Knicks. The build-up around a playoff run like this often extends beyond the arena itself. Fans follow predictions, statistics, live reactions and entertainment experiences that keep the momentum going between games. That crossover between basketball passion and sports-inspired casino entertainment has become part of the wider conversation for many supporters who enjoy the excitement that comes with high-pressure moments and big sporting narratives.
The Fans Are Driving the Hype
Nobody does basketball anticipation quite like New York. The Knicks already have one of the loudest fan bases in the sport but a potential Finals run has pushed things into another gear. Around the city, people are talking about lineups, predictions and what a Finals appearance at Madison Square Garden could actually look like.
And yes, the excitement is getting serious enough that conversations around crowd management and extra security are part of the picture too. This is New York after all, the concrete jungle. It’s a city filled with celebrities, diehard supporters, media attention and fans who wear their emotions openly when sports are involved.
The emotional side of sports matters. Fans lift teams, build confidence, create pressure for opponents and turn ordinary home games into events. It is the same reason sports fans enjoy following major moments across entertainment spaces like the jackpot city online casino and sports-themed gaming experience, where basketball-inspired gameplay, momentum-driven entertainment and big-event anticipation help keep fans engaged. That connection between sports and casino entertainment is easy to understand. Fans enjoy tension, timing, momentum swings and the feeling that something dramatic could happen at any moment. Those same ingredients often shape how people interact with sports-themed casino experiences during major playoff periods.
Brunson, Towns and Hart Are Carrying the Team
Big playoff runs usually need players willing to step up when the spotlight becomes brighter. The Knicks have several names doing exactly that.
Jalen Brunson has looked calm, sharp and completely comfortable handling leadership responsibilities. As a point guard, he has been playing with real control. The decision-making, the tempo, the confidence, it’s all too amazing to even look at sometimes. He gives the team direction when games start getting intense.
Then there is Karl-Anthony Towns. At centre, he brings something the Knicks need badly: size combined with scoring ability. Big players who can shoot change the way opponents defend and Towns has that rare combination. He can use his physical presence around the basket but still stretch the floor with his shooting touch.
Josh Hart adds another important layer. He may be smaller compared with some players around him but he’s meant to be. He finds points, creates movement and brings relentless energy into games. Sometimes teams need players who simply keep momentum alive through hustle, quick scoring bursts and strong timing. That’s him.
That ability to perform under pressure is one reason sports and casino entertainment often attract similar audiences. Players and fans alike respond to moments where confidence, timing and fast decision-making can change the direction of a game.
One More Win… But The West Is Still Watching
The maths in the Eastern Conference is simple enough. The Knicks are three up in the Conference Final. One more victory and they are heading to the NBA Finals.
That sentence alone would have sounded unbelievable to some fans not very long ago. But basketball conversations never stop at one side of the bracket. People are also watching what is happening in the Western Conference Finals, especially when the San Antonio Spurs enter the discussion alongside Victor Wembanyama. The Spurs are reportedly two up, which naturally gets fans talking about potential Finals matchups and how different styles could collide on the biggest stage.
That is part of what makes this time of year so entertaining. Sports fans thrive on those possibilities, which is why you’ll see so many fans playing basketball-themed casino games on platforms like jackpot city, where anticipation becomes part of the entertainment. The crossover between major sporting events and casino-themed gaming experiences continues to grow whenever playoff season arrives. Fans are not only following results; they are engaging with prediction culture, themed entertainment and sports conversations that stretch far beyond game night.
New York has waited a long time for a basketball story like this. After 25 years, a win would mean something special to New York supporters and it would quickly become one of the biggest stories in sports. For fans who enjoy the wider world of sports entertainment, from live playoff drama to themed casino experiences on platforms like jackpot city, this Knicks run already feels like a moment worth remembering.
El Espacio Medarde, ubicado en el Mercado de Abastos de Guadalajara, inaugura este martes 24 de junio la exposición ‘Alma silenciada’, una propuesta de la artista local Alba López Santos. La muestra aborda la experiencia de los trastornos de conducta alimentaria desde la perspectiva de la oxidación física y emocional del cuerpo. Los vecinos podrán visitar esta instalación de forma gratuita hasta el próximo 31 de julio.
La concejalía de Cultura del Ayuntamiento respalda esta iniciativa, que se aleja de la simple exposición estética para buscar la reacción directa del público. Javier Toquero, primer teniente de alcalde y responsable del área, subrayó durante la presentación que Guadalajara necesita espacios «donde la verdad tenga sitio», destacando la madurez del proyecto. La propia creadora reconoció emocionada que la obra es fruto de un largo proceso vital para transformar la vulnerabilidad en conocimiento. «No es fácil convertir en arte aquello que te ha roto, pero tampoco hay nada más necesario», explicó ante los medios.
La exposición mantiene sus puertas abiertas de martes a viernes de 12:00 a 14:00 y de 18:00 a 20:00 horas, y los sábados de 11:00 a 14:00 horas. Para quienes busquen profundizar en el mensaje de la obra, se han programado visitas guiadas junto a la autora los sábados 11 y 25 de julio a las 12:00 horas. Este proyecto funciona además como el primer capítulo de un relato que culminará próximamente en la Sala Antonio Pérez de la Diputación Provincial con la segunda parte, titulada ‘Materia que resiste’.
La llegada de esta obra al Espacio Medarde conecta directamente con la evolución de las políticas culturales que Liberal de Castilla ha documentado durante el último año en la capital. El esfuerzo de la actual concejalía por revitalizar el Mercado de Abastos como epicentro para el talento local encuentra en esta muestra un claro ejemplo de consolidación. Al vincular ahora un recinto municipal con la futura exhibición en la red de la Diputación, se afianza un circuito artístico continuo que permite a los creadores guadalajareños proyectar obras de gran formato y largo recorrido en su propia ciudad.